An analysis of the film camila

Camila is a year-old socialite living in Buenos Aires in Her father wants to marry her off to a dull aristocrat, but rebellious Camila, who likes to read banned books, dreams of marrying for love. Camila is also rebellious in that, unlike her father, she opposes the oppressive dictatorship of military strongman Juan Manuel de Rosas. Camila notices his handsomeness, but she is really impressed when Ladislao gives an impassioned sermon opposing the murders and other abuses of the Rosas regime.

An analysis of the film camila

An analysis of the film camila

The film focuses on the lives of a young girl, Camila, and her Jesuit priest Ladislao Gutierrez. Camila and Ladisalo fall in love and the film follows their troubles. Through following the events that happen with Camila and Ladisalo, the director shows how restrictive and devout followers of Rosas were and of the resentment against him.

The unjust ways of the Rosas regime were illustrated passively. Instead of having Rosas a central character issuing orders to be carried out, Rosas was instead placed in the background of the film. You would see Rosas through the actions of the church, military, and of the common people.

His picture adorned the towns, everyone was to wear a red ribbon symbolizing their loyalty to Rosas. His supporters spoke of him proudly while those against him had to hide in silence.

To illustrate the inherent problems of the Rosas era, the director chose to show the injustices through the ordeals of Camila and Ladislao.

First of all, in everyday life, Rosas demanded public showings of loyalty. Every citizen had to wear a bright red ribbon symbolizing their faith in their leader. Slaves, commoners, and even priests had to wear this ribbon. Through the execution of the bookseller, the tyranny of the Rosas regime is clear.

He will tolerate to questions to his authority or allow anyone with a dissenting opinion to speak without fear of retribution. At the end of the film when the two young lovers are captured, Rosas rears his head again. To further illustrate this point, the film makes it appear that Rosas is operating directly in contrast with the blessings of god.

While never specific in historical events, overall the films third person look into the regime of Rosas does provide interesting historical insight about life in mid 19th century Argentina. Costumes and settings in Camila illustrate the lengths that the director made to make the film historically accurate.

The story is a bit jumbled at the beginning and for the most part, the plot is entirely predictable.Directed by Tom Ford. With Colin Firth, Julianne Moore, Matthew Goode, Nicholas Hoult.

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An analysis of the film camila

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In Buenos Aires of the 's, a young Jesuit and a wealthy socialite fall in love and begin a torrid affair. They escape from the city, and, in disguise, set up house in a village, assuming they are safe and beyond the cares of anyone. However, both the church and Camila's family are enraged, vowing to hunt down the lovers for a capital crime.

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